Hello, my name is Jericho, and I’m simply a guy who is obsessed with films and music. I’m not a critic in the traditional sense, meaning I have absolutely no credentials in this area beyond my passion for writing and love of the arts. I have a B.A. in English, and have written various short stories as well as a novella that I will hopefully be putting out soon. I started this blog/site simply as an outlet for my opinions, as well as to hopefully create an online community of fellow music and movie obsessives. The standard rating system (1 out of 4 stars for movies, 1 out of 10 for music), may seem somewhat irrelevant since the reviews are essentially opinion-based, but it’s just my way of expressing how I feel about the subject at the current time. I welcome comments, opinions, disagreements, really anything that gets people talking about this stuff. Feel free to message me with bands or movies to check out, or even suggestions about what I should get into. Thanks and enjoy!THEE OH SEES
Carrion Crawler/The Dream
7 out of 10
Is there any stopping Thee Oh See’s endless stream of spastic garage punk? Carrion Crawler/The Dream is the San Francisco four-piece’s second LP of 2011, a sort of messy sister album to Castlemania, released earlier this year. On that previous record, founder/mastermind John Dwyer and his bandmates threw out short bursts of 60’s-inspired psychedelic folk and weird sing-along anthems. Here they seem to return to the jam tendencies that informed 2010’s Warm Slime, and consequently sprawl with reckless abandon.
THEE OH SEES
Castlemania
8 out of 10
John Dwyer has been one of the hardest working musicians of the past decade, churning out dozens of albums in various bands and side-projects. Tagged mostly in the underground/lo-fi/garage rock scene, he made his mark first with the short-lived performance art noise-punk band Pink and Brown in 1997, and then later with Coachwhips and the Hospitals in the mid 2000’s. His penchant for forming different bands, relentlessly playing shows, and recording an insane amount of music, released or not, has made him something of an icon to younger musicians currently blossoming within the scene that he largely pioneered.